Tuesday, December 11, 2012

The Crisis of Hamlet--English Hamlet ISU


January 1st 2012
English Hamlet ISU
The Crisis of Hamlet
            Shakespeare's style of writing tragedy plays makes the crisis fall out at the geometric center of the play. Shakespeare's tragedy play, Hamlet, offers three possibilities for the crisis of the play. All these possibilities fall out during Act 3, the middle of the play. The first is in Act 3 Scene 2, when Claudius flees from the play that Hamlet had staged to see if Claudius was guilty of killing Old Hamlet. The second occurs in Act 3 Scene 3, when Hamlet is given a opportunity to kill Claudius in the chapel but he forgoes it. The third possibility happens in Act 3 Scene 4, when Polonius hides behind the tapestry while Hamlet is talking with his mother, Gertrude. Hamlet sees the tapestry move thinking Claudius was behind it he stabs it killing Polonius who was hiding behind it. Each of these possibilities can fit into be the crisis of the play each in their own way.
             Hamlet, the main protagonist of the play is determined to find out if Claudius, his uncle, had  murdered Old Hamlet, Hamlet's father, to gain the throne after the ghosts testimony. Hamlet asks the player to play the Murder of Gonzago in the theater in font of the king and queen. The play-within-a-play tells us the story of Gonzago, the Duke of Vienna, and his wife, Baptista, who marries his murdering nephew, Lucianus. This play resembles what Claudius had done to Old Hamlet. In order for Hamlet and Horatio, Hamlet's friend, to verify the word of the ghost they would be watching for King Claudius’s reaction. The play begins and when the murder pours the poison into the kings ear, Claudius gets up, cries out, and flees the room followed by the audience. “[Claudius cries out] Give me some light. Away!”(3.2.266). Hamlet and Horatio talk about what had occurred. They agree that the behavior of the king was telling of his actions to Old Hamlet and that the ghost was telling the truth: “I'll take the ghost's word for a thousand pound”(3.2.283-284). Hamlet realizes that Claudius’s reaction might have not geared to murderers actions which copies the way he killed of Old Hamlet but of the murderer. The play shows that the nephew pours the poison into his uncles ear, but in Claudius case, Claudius pours the poison into his brothers ear. Before Claudius had become Hamlets stepfather, he his uncle and Hamlet was his nephew. Claudius might had run out of the room because he thought that Hamlet was going to kill him. Hamlet and Horatio don’t know if Claudius reacted to his own crime or  that Hamlet, his nephew, would try to kill him. This scene demonstrates that Claudius had a important reason to flee. After this scene Hamlet and Horatio consider themselves to have proven Claudius guilt and that they can move to the next level of planning to murder him.
            In Act 3 Scene 3, Claudius enters the chapel and recites a soliloquy. In the soliloquy Claudius, for the first time, openly admits that he had murdered Old Hamlet. Claudius says his prayer wont work because he is not willing to give up the throne and queen: “I am still possess'd / Of those effects for which I did the murder,/ My crown, mine own ambition and my queen”(3.3.53-55). Hamlet enters into the chapel and receives a opportunity to kill Claudius once and for all. Hamlet being a very thoughtful person, thinks to himself that if he would kill Claudius right after he was praying for forgiveness, Claudius would go straight to heaven, “and so he goes to heaven, /And so am I reveng'd.”(3.3.74-75). Hamlet tells himself that its not right to kill Claudius now and he leaves to talk to his mother. Hamlet tells himself that he would kill Claudius when he would be sinning: “When he is drunk, asleep, or in rage, /Or in the impetuous pleasure of his bed”(3.3.89-90). Later Claudius ponders that if Hamlet had indeed killed him in the chapel he would have gone to hell because his words were useless: “My words fly up, my thoughts remain below”(3.3.96). In the exact middle if the play Hamlet gets what he wanted. Since the beginning of the play Hamlet wants to revenge on the murder of his father and he is given a chance to kill Claudius but he starts thinking. From all of the play Hamlets over thinks, and here as a example too much and this thinking saved Claudius from certain death.
            Hamlet angrily goes to his mothers room. Gertrude tells Hamlet that he has offended his father, meaning his stepfather Claudius: “Hamlet, thou hast thy father much offended”(3.4.9). Hamlet responds that she had offended his father, Old Hamlet, by marrying Claudius: “Mother, you have my father much offended”(3.4.10). Hamlet starts arguing and making her aware of what she had done. Hamlet was starting to act violently and his actions make contact with her guilty conscience, and she screams fearing for her life: “What wilt thou do? Thou wilt not murder me?”(3.4.21). Polonius who was hiding behind the tapestry cries out for help, “What, ho! Help, help,help!”(3.4.22). Hamlet thinking Claudius was behind the tapestry and cries out, “How now! a rat? Dead, for a ducat, dead!”(3.4.22). He pulls his sword and stabs though the tapestry killing Polonius who was behind it. We see many things from Hamlet's actions here. Hamlet acted upon instinct without thinking. He pulled his dagger and stabbed the tapestry. Claudius notes of Hamlet, “His liberty is full of threats to all”(4.2.14). When Hamlet stabbed the tapestry he revealed his deep desire to murder Claudius.
            Each of these events can be the crisis of the play. I think that the third possibility suits to be the crisis the play. Hamlet has been thinking throughout the play until this point where he just commits the action of murder only to find that he had killed the wrong person. Once he had killed Polonius he had seen what his thoughts and action had led to. We see that that this crisis fits to be the turning point in the play. Hamlet has been more active after this scene:
            Rashly, /And prais'd be rashness for it, let us know, /Our indiscretion sometime serves us well...    There's a divinity that shapes out ends, Rough-hew them how we will.                       (5.2.6-11)
Hamlet senses that fate controls destiny. Claudius realizes that Hamlet is a threat after Hamlet had killed Polonius and sends him to England. Hamlet being sent to England is a positive resolution of Denmark. After the turning point Hamlet acts more and thinks less. Hamlet rewrites the letter that was being sent to England with instructions to kill Rosencranz and Guildenstern. When Hamlet find out of Ophelia's interment he jumps into the grave followed by Laertes which leads to brawl in the ground.  All these are some examples of what had happened after the crisis of the play. We uncover one of Hamlet's tragic flaws, his inability to coordinate between his thoughts and actions. When Hamlet would be in his thinking “mode” he thinks of the good and bad consequences of his actions and then he would not commit the action like what happened in the chapel. But when Hamlet does decides to act, he does it blindly, as by the crisis, killing Polonius.

Work Cited:
Shakespeare, William. Hamlet. Mississauga: Canadian School Book Exchange, 1996.

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